![]() Mark Hayes is an award-winning concert pianist, composer, arranger, conductor, and record producer. Hayes has dedicated his new Requiem to his parents, both of whom passed away in the last few years. Premiered at Lincoln Center with Hayes conducting in May 2013, this work includes seven movements of the Requiem Mass and, other than the dramatic “Dies Irae,” each movement features both Latin and English texts. ![]() ![]() He is well-known for his unique choral settings which draw from such diverse styles such as gospel, jazz, pop, folk, and classical to achieve a truly “American sound.” His brand new Requiem, scored for two soloists, chorus and orchestra is a contemplative work using English translations combined with Latin text for a musically reflective experience. Congori Shango - Abel Pacheco arr.Home › Church Choral › Mark Hayes’ “Requiem”īy stantonssheetmusic on DecemĬomposer Mark Hayes’ vocal and instrumental writing is widely acclaimed and performed across the nation.Yesterday - John Lennon & Paul McCartney arr.John Behnke Sandy Serkes, soprano and Paulo Brasil, tenor The Atchison, Topeka and the Santa Fe - Johnny Mercer & Harry Warren arr.Lonesome Road - Don Grolnick & James Taylor arr.Ain't Misbehavin' - Fats Waller, Harry Brooks, & Andy Razaf arr.Walk Him Up the Stairs - Gary Geld & Peter Udell Rene Gagnon, soprano and Katy Admirand, alto.Old Irish Blessing - words: traditional, music: Jenny Chou.Christmas Cantata (Gloria) - Daniel Pinkham.The album closes brightly with Congori Shango, a Costa Rican rhythmic anthem. The title track is the classic Irving Berlin standard which is a crowd pleaser at many of our live performances. The Boys II Men arrangement of Yesterday (Lennon/McCartney) features a familiar melody laced with intricate harmonies. Mozart's Requiem: Dies Irae, Confutatis, and Lacrimosa. It opens with three powerful selections from W. Emphasizing our broad repertoire, "Steppin' Out" features a variety of compositions ranging from classical to vocal jazz. ![]() This debut CD features a cappella and accompanied selections recorded during 1998-99 performances at Boston University's Marsh Chapel. ![]()
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